No. 79 – July 2014
No. 85 – December 2016
A Guide to the Classification of Medieval Ceramic Forms digitisation project completed!
The Guide provides a definition and nomenclature for ceramic forms made throughout the post-Roman period until the beginning of intensive industrial pottery production in the 17thcentury, with the aim of enabling practitioners to identify vessel forms, clarify definitions in common usage and standardise the terminology used to describe and record vessel forms in pottery assessments, analyses and reports. As MPRG’s Occasional Paper 1 the Guide has been selling well and is still available to purchase but in order to increase its accessibility as a key research resource (in line with ‘A6 Making key information and resources as widely accessible as possible’ in Irving 2011 A Research Framework for Post-Roman Ceramic Studies in England MPRG Occasional Paper 6) and promote recording standards MPRG approached Historic England for a grant to produce a searchable, interactive PDF. The application was successful and work was completed in autumn 2019.
The PDF is available below.
View FullscreenMPRG Occasional Paper 8 just published
A Study Day in Memory of the late Kenneth James Barton
A Study Day in Memory of the late Kenneth James Barton
19 October 2019
Bristol City Museum & Art Gallery
MPRG 2019 Conference and AGM
MPRG 2019 Conference and AGM
This year’s conference is being held jointly with the Society for Post-Medieval Archaeology on 5 October at the London Archaeological Archive and Research Centre, Mortimer Wheeler House, 46 Eagle Wharf Road, London N1 7ED
One Thousand Years of Ceramic Innovation
9.30am Arrive and registration
10.00am Welcome and introduction (Jacqui Pearce and Julie Edwards)
10.15am Alexandra van Dongen: Jan van Eyck’s Syrian apothecary jar: the earliest known depiction of Arab ceramics in European art as a marker of global trade
10.45am Gareth Perry, Tom Watson, Caroline Jackson: Purposefully Purple: Understanding the technological transition from late medieval green to purple glazed Humber Wares
11.15am Coffee break and pottery viewing
11.45am Naomi Carver: Ceramic innovation in post-medieval Ulster
12.15pm Tom Wennberg: Faience production in Sweden: a part of 18th-century mercantilism during the Age of Liberty
12.45pm Discussion
1.00pm Lunch and visits to Ceramics and Glass Collection / MPRG AGM
2.15pm Patricia Ferguson: “Printing different Colours on One Plate”: Colour Printing on English Ceramics from 1756
2.45pm John Hudson: Slipware from the ground up
3.15pm Tea break
3.45pm Christopher McHugh: From Stoke to Seto: The adoption of British ceramic manufacturing techniques and styles in twentieth century Japan
4.15pm Julia Rowntree: Clay and hand skills: why do we need them?
4.45pm Discussion (Jacqui Pearce and Julie Edwards)
5.15pm Close
Conference fee: £25. To book please contact Lorraine Mepham: l.mepham@wessexarch.co.uk or see our Facebook page for a booking form
John Hurst Travel Fund – closing date 23 March
This fund was established in 2007 to honour the enormous contribution made by John Hurst to the study of medieval and post-medieval pottery in Britain and Europe. It offers a travel grant of up to £200 each to MPRG members who need financial support to carry out their research. Grants are awarded annually and the closing date for applications is the 23rd March each year. Preference will be given to applicants whose projects help strengthen links between Britain and the rest of Europe and to students or those at the beginning of their careers.
MPRG Annual conference and AGM Saturday 5 October 2019
From the introduction of the potter’s wheel, to the spread of factory production during the Industrial Revolution and beyond, the ceramic industries of the UK have been progressively transformed by waves of innovation. This conference, which is being held jointly with the Society for Post-Medieval Archaeology, will focus on the wide range of technological, stylistic and functional advances introduced into potteries across the country from the 11th century to the present day. These are manifested in innovative developments in methods of manufacture, ceramic fabrics, new and increasingly specialized forms, decorative styles and techniques, and their collective effect on the place and role of ceramics within society.


